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Fanfare & Funk (F12)

Composed by Sam Fisher

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This original work for brass band is the perfect choice to open a concert of contest programme. At just over three minutes, the music is in two clear sections, depicting the contrasting styles of traditional fanfare and modern funk. After a flourishing fanfare opening, the Cornets and Trombones lead a verse of the opening motif, accompanied by a rhythmically diminished version of the same motif from the Euphoniums and Baritones. This ostinato then leads us into a great entertaining funk section, with each section of the band rising to their feet as the piece builds to an exciting finale that is sure to engage audiences of all ages!



Full score and parts: £25.50

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Fanfare & Theme (F7)

Composed by Craig A Stevens

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Composed in a similar style to John Williams' Olympic works, with a fanfare from the whole cornet section to grasp your audiences' attention, before leading them on a melodic journey through the horn & baritone section. Fanfare calls continue to be heard throughout before the final close. A perfect opener to a concert or second half.

Full score and parts: £19.50

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Flourish! (F5)
Baritone Duet

Composed by Bill Willis

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Composed for the Baritone players of Bournemouth Concert Band, this is a rare work for what has been, until recently one of the most under-rated instruments in the Brass Band. Marked "Allegro Giocoso", this lively piece shows off the band and allows the soloists to demonstrate their melodic and technical skill

Full score and parts: £19.50

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Haven't Met You Yet (H10)

Composed by Michael Buble; Arranged by Gavin Somerset

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This smash hit was the first single to be released by Canadian singer Michael Bublé. Released on his forth album "Crazy Love", the singer co-wrote the song for his fiancée Luisana Lopilato. The song has had world-wide success, reaching No.1 in the Canadian charts and the U.S aswell as enjoying success here in the UK charts reaching No.5. The piece is a fantastic light-hearted swing number that both players & audiences will enjoy, with an optional feature in the middle that Soprano cornet players (or brave Solo cornet players!!!) will relish! A must for every bands library.

Full score and parts: £21.50

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Hinky Dinky (H18)
Mademoiselle from Armentières

Composed by Traditional; Arranged by John Lee

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Mademoiselle from Armentières (also known as Hinky Dinky) was one of the most popular songs of World War One and known in many versions, often with extremely dubious lyrics!  The origins of the jaunty melody are not certain but it could date back as far as the 1830's and may be a French military tune. The instructions on 'standing' and 'sitting' are intended as a guide only and should be adapted to suit the needs and athleticism of individual bands! A perfect addition to a band's repertoire in this WWI Centenary year.



Full score and parts: £19.50

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Hungarian Polka (H8)
Eljen a Magyar

Composed by Strauss; Arranged by Bill Willis

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Known for his melodic themes, this Hungarian Polka (Eljen a Magyar) from Johann Strauss is one of his lesser known works. Fast and furious, a great way to start (or finish!) a concert.

Full score and parts: £19.50

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Huntingtower (H16)
Ballad for Band

Composed by Ottorino Respighi ; Arranged by Alastair Wheeler

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Whilst best known in the Brass Band world for The Pines of Rome, Respighi wrote Huntingtower in 1932 for Concert (wind) Band for a special concert in memory of John Philip Sousa, who had passed away on March 6 of that year. The work was premiered by the US Army Band. With only around 6 weeks to compose the work, his inspiration for the piece came from a visit to Huntingtower Castle in Scotland. A standard in the wind & military band repetoire, the work is available for Brass Band and is a great alternative to some of the traditional Overtures.
 



Full score and parts: £25.50

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Hymn for the Fallen (H7)

Composed by John Abbott

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Composed and dedicated to the victims of the Boxing Day tsunami, 2004.

Full score and parts: £17.50

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In Flanders Fields (I10)

Composed by Gavin Somerset

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Many are familiar with the ever popular poem, 'In Flanders Fields' written by Lieutenant Colonel John McCrae during the first World War. The poem tells of the fields strewn with crosses where fallen soldiers had been laid to rest. The opening stanza states 'In Flanders fields the poppies blow, Between the crosses, row on row,'. These words form the foundation on which this music was composed. The music pulls on the varying emotions one might feel if you journeyed through the fields and will leave your audience in little doubt of the sadness, bravery and honour, which those who fell in the Great War endured.



Full score and parts: £19.50

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In The Pines (I11)

Composed by Traditional; Arranged by Max Stannard

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Whilst the song may not be familiar with some, this traditional American folk song is believed to date back to the 1870’s. With various other titles including ‘Where Did You Sleep Last Night?’ and ‘Black Girl’, this work has been recorded by numerous artists over the years and was in 1993, introduced to a new generation when it was performed by the US band, Nirvana. Max Stannard’s haunting setting brings your audience in with the haunting melody before shifting gears into a great jazz-waltz section. Featuring several soloists, this is a great entertainment items and a good showcase for concerts and contests.       



Full score and parts: £19.50

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