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Can - Can (C10)

Composed by Jacques Offenbach; Arranged by Gavin Somerset

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The gallop from Offenbach's overture to "Orpheus In The Underworld" is one of the most famous finales to any classical piece of music. Used countless times from pop music to Moulin Rouge dancers, the piece has become a favourite encore/finale item. Now arranged by Gavin Somerset to be playable by lower section bands, and with some extra parts to really liven the item up, this piece is sure to leave your audience wanting more. A perfect finisher for any concert.

Full score and parts: £19.50

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Celebration (C21)

Composed by Ben Hollings

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Composed by Carlton Main Frickley Band’s Composer-in-Residence, Celebration is an epic concert opener composed to begin any programme with an exciting fanfare & hymn style structure. The work opens with 'exultant' fanfares throughout the cornet section & flugel, before a heroic theme is heard in the trombones. After the bold fanfare opening, the music settles into a setting of the hymn, Eventide which features a flugel solo. The middle section of the piece gives the band chance to showcase a warm and sostenuto sound before a reprise of the opening fanfare material is combined with Eventide and the heroic theme to bring the piece to an exciting finale.



Full score and parts: £25.50

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Celtic Flavour (C11)

Composed by Ron Glynn

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New from the pen of Ron Glynn, comes a new composition with a Scottish feel throughout. With percussion driving the piece forward from start to finish, the haunting melody leaves you with the images of the Scottish landscape.

Full score and parts: £17.50

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Classical Brass (C12)

Composed by Various; Arranged by Gavin Somerset

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This medley of famous classical music is the perfect addition to any concert. Beginning with the 'Barber of Seville' before the piece sets off on a journey with tongue placed firmly in cheek! Let your audience here the great classical works of Rossini, Grieg, Liszt, Mendelssohn (& others) as they've never heard them before. The various famous melodies all stay around long enough for your audience to recognize them before being moved off in another direction completely. This work is a musical journey that is perfect for formal proms concerts, yet certainly would not be out of place on a bandstand either. The piece has many opportunities for bands to add their own choreography if desired. A toe tapping, audience pleasing, journey that leaves the audience wanting more.

Full score and parts: £21.50

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Con Brio (C5)

Composed by Mike Lyons

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A brand new piece, jolly and lively all the way thought. Composed in 7/8 time most of the way though, giving the players something to think about, and the audience something to enjoy. There is chance for the players to re-gain their composure during a lovely little flugel solo (thankfully, in the more common ¾ time!). The band then join in and the fun returns, getting faster and faster before another break into the Lento, where the trombones and solo horn feature. However the rousing ending isn't far away!!! A stunning work, good fun, and enjoyable by all.

Full score and parts: £19.50

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Don't You Want Me (Baby) (D7)

Composed by The Human League; Arranged by Gavin Somerset

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Originally released in 1981, this single by The Human League took the took the Christmas No.1 spot and has since gone on to sell over 1.5 million copies, making it the 23rd most successful single in British history. The music has easily stood the test of time, with many still seeing the track as a firm favourite for parties. Now for the first time, the work is available for band. This is a great way to show off a brass band’s versatility and reach out to audiences of all ages. Something different and a must have.



Full score and parts: £21.50

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Duke Street (D6)

Composed by David Holling

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Originally written during David's time as MD of Strata Brass, this lively concert march frequently featured in the band's programmes and its title comes from the street on which you would find the band rehearsing; as they have for some 30+ years. A great 3-minute opener to any concert without the need to DC!



Full score and parts: £19.50

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Empty Chairs at Empty Tables (E4)
From Les Misérables

Composed by Schӧnberg, Boublil & Kretzmer; Arranged by Cathryn Rogers

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Les Miserables has been entertaining thousands of people the world over since its premiere in Paris in 1980. With a hit soundtrack of memorable songs, Empty Chairs at Empty tables is one of the more reflective works from the musical. As Marius' returns to the café alone, the solo survivor following the battle (other than Jean Valjean), he regrets and reminisces over the loss of his friends in this moving work that, like many other titles from the musical, works extremely well for Brass Band. A great addition to any concert programme and a sure hit with audiences across the globe.



Full score and parts: £25.50

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Evening Hymn & Sunset (E3)

Composed by Trad.

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This work has become more and more popular as the years have gone by. Recognised as the end of day ceremony, this remembrance work incorporates the hymn tune St Clement, known more popularly as The Day Thou Gavest and the Sunset Bugle call. Originally arranged by Max Standard for the University of Lancasters performance at UniBrass 2014, this work is a fine addition to any bands programme.

Full score and parts: £19.50

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Fanfare & Funk (F12)

Composed by Sam Fisher

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This original work for brass band is the perfect choice to open a concert of contest programme. At just over three minutes, the music is in two clear sections, depicting the contrasting styles of traditional fanfare and modern funk. After a flourishing fanfare opening, the Cornets and Trombones lead a verse of the opening motif, accompanied by a rhythmically diminished version of the same motif from the Euphoniums and Baritones. This ostinato then leads us into a great entertaining funk section, with each section of the band rising to their feet as the piece builds to an exciting finale that is sure to engage audiences of all ages!



Full score and parts: £25.50

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